Meek Mill Weighs in on Shannon Sharpe’s ESPN Exit, Teases New Music Philadelphia rapper Meek Mill is speaking out about Shannon Sharpe’s departure from ESPN, which comes after Sharpe settled a lawsuit with a former girlfriend. Mill commented on social media, “Y’all too old to be getting fired fr.” Sharpe has yet to publicly comment on the situation. Meanwhile, Meek Mill is gearing up to release new music. After being named the fifth most streamed rapper on YouTube, he posted, “And I’m about to drop a heavy load!!!!” Thanking his fans for their continued support, he added, “Shout out to everyone playing my music in their content! Everything aligning right! Make sure you use my new and old music.” Meek Mill’s last solo album was 2021’s Expensive Pain. He’s also been addressing rumors surrounding his association with Diddy, denying any involvement in certain activities. In a recent interview with Complex, Meek Mill stated he believes there’s a concerted effort to damage the reputations of Black entertainers through social media and the internet. Meek Mill emphasized the dangers of spreading false information online, using the example of a hypothetical rumor about him being published in multiple outlets. He maintained that he wouldn’t participate in environments that conflict with his morals and denied attending certain parties hosted by Diddy.
WILDIN OUT WIT BIG HOMIE | FEAT. BIG HOMIE BLOCK | RTM PODCAST | SZN 3 | EP 17 |
What happens when you transform your authentic self into a personal brand? Big Homie Blocks reveals the extraordinary journey that took him from grinding through doubt and rejection to becoming a social media phenomenon garnering over a billion views in a single month.
In this captivating conversation with hosts Roland and White Boy D2A, Big Homie Blocks opens up about the pivotal moments that shaped his career. From receiving a game-changing $30K from Moneybag Yo that funded his move to Atlanta, to earning $60K monthly creating relatable relationship skits with his wife, he shares the unfiltered truth about building a content empire across multiple platforms.
What truly sets this episode apart is Big Homie’s refreshing perspective on criticism. Rather than letting negative comments about his appearance defeat him, he transformed them into content opportunities, demonstrating remarkable resilience and business savvy. “I fell in, I made it to a blessing,” he explains, embodying the entrepreneurial spirit that’s essential for today’s content creators.
The chemistry between Big Homie and his wife emerges as a central theme throughout the discussion. Their partnership both on and off camera has created an unstoppable force in content creation, proving that authentic relationships can be the foundation of successful brands. As he puts it, “If I’m Batman, she Robin. If I’m Robin, she Batman.”
Whether you’re an aspiring content creator looking for inspiration or simply curious about the realities behind viral success, this episode delivers valuable insights on authenticity, partnership, and persistence. Follow Big Homie Blocks across social media @bighomieblocks and witness firsthand how turning real life into branded content can change everything.
400 BARS FROM THE BABY GOAT || FEAT. KAH ROBERTS | | RTM PODCAST | SZN 3 | EP 15 |
Sometimes greatness reveals itself early, hiding in plain sight until the right moment. For Kah Roberts, the seeds of artistic identity were planted long before he ever stepped into a studio.
Growing up in South Philly, young Kah turned heads not for his music, but for his style. While other kids wore the standard Nike sweatsuits, he was selecting his own fits—different patterns, different colors, different energy. Neighbors would stop his mom just to comment on it: “He dresses himself?” This early embrace of individuality wasn’t random; his mother modeled it with her own mohawks and bold fashion choices, creating a home where standing out wasn’t just accepted but celebrated.
Meanwhile, his cousin Zed saw something else—a natural rhythm in the way Kah expressed himself. “Spit that shit, cuz,” he’d say, long before Kah could comprehend what that even meant. At home, Jay-Z’s voice thundered through speakers so powerful the Chinese store down the block could hear them. His father would take him to play chess against grown men at the corner store, proclaiming “my son gonna beat you.”
These early votes of confidence—in his style, his potential, his intelligence—created a foundation of self-belief that would later manifest in his music. By seven, he could recite entire Beanie Sigel verses, impressing family members with his memory. In his teens, he approached recording with remarkable focus, cutting 5-8 songs per session while others wasted studio time.
From “Brick Thoughts,” where he ingeniously incorporated all his friends’ names into the lyrics, to “400 Bars,” the track that announced his arrival as a formidable artist, Kah has built a catalog in an era obsessed with singles. His latest work on “carp’s Baby 3” reaches new heights of authenticity, especially on “Side Story,” where he opens up about growing up and coming into his own.
Ready to hear what authentic talent sounds like? Listen now and discover why they call him the Baby Goat—and why that nickname is only the beginning of his story.
PODIN WIT A LIFER || FEAT D. JONES | | RTM PODCAST | SZN 3 | EP 14 |
D Jones sits down with the Realer Most podcast to deliver a masterclass in hip-hop longevity and street authenticity that’s as rare as it is valuable in today’s industry landscape.
The Philadelphia legend takes us deep into his journey from North Philly’s Delhond Dolphin neighborhood, where he started as a young T-shirt runner observing the block’s dynamics before finding his voice through rap. With remarkable candor, he reconstructs the electric energy of Philly’s DVD era – a pivotal moment when raw talent was captured on camera and distributed throughout the city, creating a breeding ground for some of hip-hop’s most distinctive voices.
What sets this conversation apart is Jones’ profound understanding of his own place in the ecosystem. “I couldn’t rap as good as Had,” he admits about another Philly legend. “So I had to find what I do. It don’t got to be better than what nobody do. It just got to be what I do.” This philosophy of authentic self-expression rather than imitation has been the cornerstone of his remarkable staying power in an industry that regularly discards artists after their fifteen minutes.
The most riveting moments come when Jones recounts how his music transcended entertainment to become a genuine force in his community. When Jadakiss came to film a video in his neighborhood, rival factions declared a ceasefire: “The nigga pulled up on me, said yo bro, that shit is off tonight. This is your hood Jones, it’s off.” Such stories illuminate the real-world impact that authentic artists can have beyond streams and views.
Whether you’re a die-hard hip-hop head, an aspiring artist, or simply someone who appreciates stories of perseverance, this conversation offers genuine wisdom about defining success on your own terms. Follow D Jones on all platforms and check out his latest project “Still Counting Blessings” to experience the evolution of a true Philadelphia hip-hop original.